Four decades after being knitted into them, Ken and Barbie* show off the enduring style of their Forever Outfits.

*Ken and Barbie not pictured. 

Four decades after being knitted into them, Ken and Barbie* show off the enduring style of their Forever Outfits.

*Ken and Barbie not pictured. 

from Emma Mclaren by Inakiphoto by Thierry le Gouès for French Revue des Modes

from Emma Mclaren by Inaki
photo by Thierry le Gouès
for French Revue des Modes

presented without comment

presented without comment

Model and Mannequinphoto by Erwin Blumenfeldfor Vogue, November 1945 

Model and Mannequin
photo by Erwin Blumenfeld
for Vogue, November 1945 

collage by Félix Larher

collage by Félix Larher

clockwise from top left:appropriate sweaters for learning, leaning, looking…and murder.

clockwise from top left:
appropriate sweaters for 
learning, leaning, looking…
and murder.

photo by Andreas Öhlundfor NK Stil (Sweden)hair and makeup by Mike Lungren and Katarina Håkansson

photo by Andreas Öhlund
for NK Stil (Sweden)
hair and makeup by Mike Lungren and Katarina Håkansson

You will have fun this summer, whether you like it or not.

You will have fun this summer, whether you like it or not.

post-mortem photo c. 1888
“It was extremely expensive to have a photo taken during Victorian times. Only the wealthy could afford such a luxury. If a child or other loved one died it was a common practice to have [their] photo taken either alone or, as in this case, with the family, especially if there was not yet a living likeness.
If you look closely you can see a base behind the girls feet and a post would go up from that with clamps at the waist and neck and the clothing would be open at the back. The arms would have stiff wires running at the back to hold them in place… The [eyes] are painted on the closed eyelids.”

post-mortem photo c. 1888

“It was extremely expensive to have a photo taken during Victorian times. Only the wealthy could afford such a luxury. If a child or other loved one died it was a common practice to have [their] photo taken either alone or, as in this case, with the family, especially if there was not yet a living likeness.

If you look closely you can see a base behind the girls feet and a post would go up from that with clamps at the waist and neck and the clothing would be open at the back. The arms would have stiff wires running at the back to hold them in place… The [eyes] are painted on the closed eyelids.

from Hope and Fearby Phil Toledano 

from Hope and Fear
by Phil Toledano 

from Madura Inocenciaimage by Nora Lezano and Sebastian Arpesella

from Madura Inocencia
image by Nora Lezano and Sebastian Arpesella

more Lucyandbartphoto by Nick Knight 

more Lucyandbart
photo by Nick Knight 

photo by Andrzej Dragan
photo by Willy Vanderperre

photo by Willy Vanderperre

photo by Sean Ellis

photo by Sean Ellis